C1890 Adirondack Lake George Landscape Oil Painting Signed Robert Melvin Decker




Item History & Price

Information:
Reference Number: Avaluer:1289987Subject: Landscape
Style: ImpressionistFeatures: Signed
Size: Medium (up to 36in.)Medium: Oil
Region of Origin: Adirondacks New York Lake GeorgeDate of Creation: 1800-1899
Artist: Robert Melvin DeckerOriginality: Original
Painting Surface: CanvasListed By: Dealer or Reseller
Original Description:
For sale is a wonderful oil on canvas landscape painting by the well known American artist Robert Melvin Decker (1847-1921)This painting is most likely a depiction near his studio in Lake George, The Hague, in the Adirondacks of upstate New York where he created most of his paintings in this style.
This painting features a scene he captured in many of his works. A look through the forest trees with an overgrown path which leads out to a magnificent blue sky with puffy white clouds. ...The colors on the trees suggest early Fall with vibrant reds and yellows on the trees as Autumn sets in up the the Adirondacks.
Done in highly textured brushstrokes of oil paint.Signed by the artist in the lower left corner. C1890
Condition: The painting having two old patch repairs(see detailed picture). A cleaning would also suffice.
NOTE: The frame is the original ornate Louis style picture frame to the painting but it has been obtrusively over washed in a light powdery colored gold paint. Although this painting will ship in the frame the frame is not considered a part of the sale as we believe it is no longer of use having been painted over and also having some areas of chips and breakage.
SHIPPING NOTE: Should you want this painting shipped without the frame please let us know and we will adjust the shipping charge on the invoice before you pay to reflect shippings costs just the canvas($35)This should save you significant costs in shipping.
Robert Melvin DeckerMeasurements Frame - 41” x 31”Canvas - 17 1/4” x 28 1/4”

Robert M. Decker was born in Troy, New York on June 8, 1847. He was well known during his career for his Realist paintings of Adirondack scenes, and especially for his winter themes. Unlike many artists, Decker was quite famous and successful during his lifetime, but became almost completely forgotten after his death.
When Decker was still a child, his mother died, and his father, a furniture manufacturer, remarried. Decker's stepmother treated him poorly, and the boy had an unhappy childhood and youth. He had little formal education and never graduated from high school. He was, however, a copious reader in every sort of subject. Barbara Decker Wood, Decker's granddaughter, once shared in an interview that he was a direct descendant of Joshua Reynolds.
Decker studied painting under R. Swain Gifford and in 1883, when Decker was thirty-six he received his first important recognition at the National Academy of Design for his painting "Morning Among the Rockaway Hills", which was bought by the Peabody family. Later when the Peabody collection was put up for sale at Silo's Gallery in New York, that painting was in the company of such great artists as Corot, D.F. Dubigny, Bierstadt, and Courbet, among others. Also in 1883, in addition to the exhibition at the National Academy of Design, Decker exhibited a painting, 'November Twilight', in the annual exhibition of the Brooklyn Art Association. It was priced at $75, which for those days was a substantial price, considering that the Association at the time was renting a whole floor for its art school at 201-202 Montague Street for $240 for an entire year.
Between 1883 and 1885 Decker worked out of a studio at 191 Montague Street in Brooklyn Heights, New York. From 1885 he also owned a studio at Lake George, The Hague, in the Adirondacks, New York. It was a lovely two-story building on a terrace eighty feet above the lake. Verandas surrounded the house and its windows looked out onto wonderful views of the lake, the woods, the hills and the mountains, and it was this beauty that inspired most of his paintings.
From this time on Decker seemed to have been considered an artist of some achievement. He worked and exhibited regularly at one studio or another, spending part of the year in Brooklyn Heights, and the rest at Lake George. He was a member of the Brooklyn Art Club, a club open only to professional artists, and first exhibited his paintings at their exhibition in 1889. He enjoyed consistent gratifying sales and critical praise, especially from the Brooklyn newspapers. Among his patrons was Mrs. F.O. French, the mother of Mrs. Alfred Vanderbilt, and she purchased one of his finest works, ' Autumn'.
Robert Decker was known to have exhibited at the following: Meyers Fine Art Gallery, University at Plattsburgh; Hyde Collection, Glens Falls, N.Y.; Montauk Club, Long Island; Pittsburgh Athletic Club; Williams and Everett, Boston; Gillespies, Pittsburgh; Helman-Taylor Galleries, Cleveland; Hillside House, Adirondacks.
An early article by an art critic from the 'New York Herald' describes Decker's paintings as 'notable examples of art subordinated to nature, as all true art should be...' and goes on to refer to specific winter scenes that he viewed and enjoyed. Another 'N.Y. Herald' critic once stated 'there are few whose love of nature is more intense than Mr. Decker's' and that the way Decker manages with his art to convey nature's movement and moods in his snow scenes leaves 'the observer spellbound'. His winter themes were admired for their simplicity, and for their power to concentrate the viewer's attention, for example as they might when regarding one of his paintings of the rising of a hilly road, buried in deep, soft, dry snow. Decker was particularly talented with small canvases, and found favor with many critics because his works were 'painted for all time', not following a whim or school of art, but with truthful semblance of nature.
At the age of thirty-seven, Decker married Emma Haner, a wealthy woman, who was then twenty-eight. Theirs was not a happy marriage, although they remained together. Emma died at the age of 84, having survived Robert by nineteen years.
After her husband's death, Emma Decker organized two exhibitions of his works, the first being at their home at 44 Downing Street in the prestigious Clinton Hill section of Brooklyn. The house, their last Brooklyn residence, is an attractive two story brownstone with an angled-bay front, which still stands in a section of Downing Street included in the Clinton Hill Historic District established by the New York City Landmarks Preservation Commission in 1981. Before Mrs. Decker left Brooklyn to live with her daughter's family in Schaghticoke N.Y., she stored her husband's unsold paintings at a church. After her death in 1940, the family could find neither the church nor the paintings. Apparently the church had merged with another, and then moved to a different location, presumably taking the paintings to the new location. They might have eventually been found, had it not been for the unfortunate accident of the new church burning down in 1951. Decker was known to have been a prolific painter, but the location of only about fifty of his works is known.
He was a Realist and leaned away from the Impressionist movement that became so much in vogue. An example of their differences can be seen in his treatment of tree trunks, where the Impressionist might use but a few strokes, Decker would use a myriad of touches and tones, worked and blended until the trunk stands out from the picture, a living semblance of the real.
Days after Decker's death, the art editor of the 'Brooklyn Daily Eagle', Hamilton Easter Field, wrote that he was 'Brooklyn's most distinguished artist'and that 'nothing is more incomprehensible to me than the fact that fashion has so much to do with taste in art. Here was a man who knew his technique as none of the younger men do, whose work was drawn with the skill and knowledge which none but the masters have.'
Decker died on October 27, 1921.



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